The article, published on the website of the newspaper The New York Times on  February 28, 2013 is  headlined A Ghanaian Artist Goes Big ‘Gravity and Grace,’ by El Anatsui, at Brooklyn Museum, by By KAREN ROSENBERG
The article reports that now at the Brooklyn Museum we can see the work of famous El Anatsui. Speaking of this situation it is necessary to note that his works are high-profile like his mural at the High Line and of the wall-spanning. These are formidable works, but with the artist’s signature material such as a porous, reflective, quicksilver cloth. So, it is necessary to point out that this event was organized by Ellen Rudolph for the Akron Art Museum and installed in Brooklyn by Kevin Dumouchelle. Analyzing this situation it is necessary to emphasize,  that these ecxibition have different works such as floor sculptures which made from the lids of tins of evaporated milk, wired together into a glittery fabric.
Giving appraisal of the situation it’s necessary to point out that Mr. Anatsui’s installation process is even more flexible, which is crucial to his art’s unassuming grandeur. Also curators may ruffle the surfaces of the wall hangings as they please, smoothing old wrinkles or developing new ones.
The author draws a conclusion that Mr. Anatsui keeps working large, though, because he is not your typical trophy maker
As for me, I don't know this person and didn't see his works earlier. that' s why I don't evaluate his work with the correct point of view, because I believe that the work is really like when you see it in reality.